Whether for feature or commercial work, there is inevitably
the call for a creature or character that must totally convince
the audience that they are real. In this case, a real animal or
human exists, but you need a replica to do something that real animal/human
can't (or won't) do. That's when we "get real". For Cadbury Chocolates' new "Happiness" campaign, TCS designed and created an animatronic cougar with radio-controlled, multiple-axis eye, brow, blink, nose, jaw, ear, and lip mechanisms. A slim-wristed puppeteer put her arms through the false bottom of a bed into custom-sculpted paw-sleeves, yet another puppeteer controlled the head with an external rod, while yet two more puppeteers handled its heaving, breathing chest with a large bellows and flicked its weighted tail with a long pole and invisible thread.
An authentic-looking
Galapagos Tortoise replica (actually, we built three of them!)
for a new Budweiser spot. They featured hand-puppeteered head,
neck, mouth, and breathing movements, and radio-controlled eyes,
blinks, and brows. A urethane resin shell and a matte-finish foam
latex skin complete the "look".
Quarter Scale foam latex rod operated
puppet replica of Sarah Jessica Parker for Disney's HOCUS
POCUS. Passive joints in pelvis, wrists, elbows, shoulders,
and neck to allow for realistic and natural movement.
Life size realistic replica
of "Betsy", the capuchin monkey from Warner Bros.' OUTBREAK.
Made from silicone with hundreds of individually hand-punched
hairs. Featured a passively jointed skeletal structure and
animatronic movements of its breathing, mouth, eyes, head, and
brows.
Animatronic replica of an English
sheep dog for Disney's THE SHAGGY DOG remake. Hand operated
mouth, with R/C brows, tongue, and ears.
Old age prosthetic on Emilio
Estevez for YOUNG GUNS II. Created and applied by David
Anderson and Rick Lazzarini. 9 piece appliance with translucent
ears and flocked beard stubble.
One of 13 Albert Einstein
makeups for an Olympic Stain Commercial. Compare with the Emilio
Pic; on this we had 3 weeks, on YOUNG GUNS II, 6 weeks!
Animatronic fish replica for
MILLER LITE BASSBALL commercial. Flew on hidden wire, had
R/C animatronic mouth, gill, eye, and flopping tail movements.
Animatronic cow puppets for MILLER
LITE "Cowabunga" commercial. Three separate puppets were
built, the largest having animatronic head, neck, tail, eye,
blink, brow, nose, and jaw movements.
For Columbia's RADIO FLYER,
TCS created an eight foot tall walking buffalo, supported by a
heavy duty crane. Made with real buffalo hides transferred
onto flexible netting. Hydro- Pneumatic neck movements, linear
actuator movements of head (3 axes), legs (4 axes each), and servo
powered tail, eye, blink, brow, nose, and jaw movements.
TCS built 20 emperor penguin
replica puppets for a Japanese Chivas Regal ad. "Hero" penguins
featured bending at the waist, wing, head, beak, and eye
movement.
Animatronic Elephant built for
Disney's OPERATION
DUMBO DROP. Features animatronic tail, head, ear, eye, brow,
swaying, and prehensile 5-way trunk movements.
Silicone elastomer casting of
chimp head with punched hairs and realistic paint job. Cast from
molds made for Michelob beer ad. Note translucency of skin. What's New | Features | Commercials
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REALISTIC FX
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a larger version.
A hyper-realistic human replica we are doing for
a special project. Made from translucent, flesh-like silicone,
with custom-designed eyes, every pore was sculpted by hand, every
hair inserted one at a time with a needle.
A very accurate replica of a bloodhound's head for
the hit feature release Sweet Home Alabama.The
skin forms and textures were painstakingly sculpted, the skin seamed and
carefully painted, and false eyes and a coating of fur courtesy of our Creature
Flocker™ completed the job.
Okay, so maybe they do look a little on the whimsical side,
but I include them here because of the realism in the body,
texture, and color. And some people think they're real!
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